It
was my grandmother who had brought the parent of this Kundo from her
home. She grew it and it flourished as a healthy bush below the shade of
pomelo and mango trees by the family pond. When we moved out from our
grandfather’s yumjao my mother brought this kundo plant. Within our
bamboo-fenced plot, by another family pond, my mother planted it. She
joked one morning,” I want you to find a woman who deserves the kundo
here. I will tell you which ones to be picked. Tell her that your
paternal grandmother did the same for your father, and I threaded them
for your father.”
Delhi was once Chinglen’s ‘cradle of love’. With his student years over and the love that once comforted his stay has come to a tragic end, he is seized by a strong urge to flee the city. Run as far as he can from the memories of love. As a costly escape is beyond means, he returns to Manipur, a place long marred by protracted violence, a failed revolution, an engineered incessant political chaos, and already neck-deep in corruption. Perhaps to lick his wounds and hide with the beguiled sense. That the distance and the rich bizarre should shield him from the very memories sloshing thick inside him. His attempt to keep himself engaged as well as to make a meagre living lands him a shoddy journalist job and the opportunity to pursue a PhD at the state's only university. In the absence of his laidback editor and opportunistic professor, he teaches himself some degree of creative writing and dabbles in academia. As he moves further into the labyrinth, he learns the hard way that trying...

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